It still remains as a pop art masterwork, which has influenced many other designs, including The Yellow Album by The Simpsons, and Frank Zappa’s We’re Only in It for the Money. The Shangri-Las managed to do both. The Doors were an American rock band that was founded and formed in 1965 in Los Angeles, California. —Lindsay Eanet, Although the cards weren’t necessarily stacked in their favor (their own label, Elektra, didn’t necessarily believe in them), the only thing that was quiet about The Stooges’ 1969 debut was its impact on the Billboard Charts. In the digital era, album covers may be considered a thing of the past. The Velvet Underground & Nico – The Velvet Underground. It would be years before the band finally stepped out of their borderline-derivative blues-meets-rock fusion. King Records didn’t think that this kind of live recording, one without any new material, would sell well. I think VU & Nico has to be the worst selling album with the most iconic cover. Prove it! Falling in the middle of their fruitful, mid-’60s run, The Beatles continued Revolver’s experimental production techniques, sprinkled in lyrics that ranged from everyday life to drug usage, and combined genres including infectious pop, traditional Indian music and straightforward rock ‘n’ roll. This time it's back to the 60s – how many of these sleeves can you identify? At that time, he had developed a reputation as a transcendent showman, but it wasn’t until this record that he, along with The Famous Flames, shared that energy with a wider audience. Still progressive and going where no other player would, he explored mystical, melodic turns on “Little Wing,” “Castles Made of Sand” and the title track. The album was recorded live, appropriately enough at Detroit’s Grande Ballroom, but as the band’s later studio albums would prove, it was the only way to capture the restless amp-crankers. The Iconic Jazz Album Covers of Blue Note Records posted by Jason Kottke Dec 03, 2018 In part 2 of Earworm’s series on jazz, Estelle Caswell talks to producer Michael Cuscuna about the iconic album covers of Blue Note Records. Together with the albums released in the 60s are wonderful album covers. Best album covers of the 1980s. In addition to playing bass, Yule handles lead vocals on “Candy Says,” the album’s opening ode to Candy Darling (who would later famously become a subject of Lou Reed’s “Walk on the Wild Side”). All of the albums listed would be a great addition to anyone's record collection.Purchasing all the original pressings of these records may be more expensive than a … This is the debut album of the British psychedelic band, Nirvana, which was released in 1967. Can you really match all of these album covers to their titles and artists from the 70s? The message and music of The Who Sell Out is no less relevant today. Having worked with Gil Evans on the Birth of the Cool, as well as the orchestral Porgy & Bess and Miles Ahead, the pair came together for their most ambitious orchestral collaboration: an exploration of flamenco where Davis’ trumpet sets tone and deepens emotional reservoirs over the five musical pieces. Love songs don’t always feel that way these days, and this isn’t anyone’s fault, but it takes a singer with the dynamism and grace of an Aretha to remind us that love is powerful and a good love song is supposed to make you feel that same ache. Iconic 60s Album Covers. —Marcus J. Moore, On October 24, 1962, James Brown recorded his performance at the Apollo Theater despite his record label’s opposition. Though still rife with surreal imagery, the album tackles more love-centric themes with songs such as “Visions of Johanna,” “I Want You” and “Absolutely Sweet Marie.” This was also Dylan’s first album recording with Robbie Robertson of The Band, and with John Wesley Harding and Nashville Skyline to follow, Blonde on Blonde would signal Dylan’s transition into more laid-back, country-inspired material. Jun 24, 2012 - Explore Bradley Williams's board "1960's Album Covers" on Pinterest. Power Plant was an album released by The Golden Dawn in 1966 before they broke up in 1968. —Holly Gleason, The Velvet Underground only released four albums (the post-Reed material is strictly for Willie Alexander completionists and the Doug Yule Defense Squad) and each one gets legitimate “best of all time” buzz from its partisans. Picture: Press But after three or four listens, the insanity starts to click, and before you know it, your notions of pop music have been irrevocably altered, for better or worse (but probably better). The album (along with Def Jam) defined hip-hop for the decade, and the artwork was equally iconic. It’s easy to picture a field full of long-haired hippies smoking and swaying their limbs just to feel the basic joy in movement. Black kids and white kids started listening to the same records—a tiny sliver of common ground for future generations to build upon as the battle for equality raged on. At the back, it features a fisheye group shot of the band which was taken by Thomas Weir. One is the Polydor release that features a lightbulb with a group photo on its base, which was designed by Wolfgang Heilemann. Iconic Psychedelic album covers from the 60s German Pizarro March 4, 2019 2 Comments. The Beatles' album covers act as a kind of scrapbook for their mythmaking career: a serious With the Beatles, a hippie-esque Rubber Soul, a stripped down The White Album, and a … Along with now-classic hits like the title track, she delivered outstanding covers of songs that, on paper, shouldn’t be touched, like “Drown in My Own Tears” and Sam Cooke’s “A Change is Gonna Come”—and she more than did them justice. Part of it was the spirit of creative one-upping between Wilson and The Beatles that started with the release of Rubber Soul, which Wilson countered with the lush, heartfelt 13-track Pet Sounds. The album’s crown jewel, however, is the classic “Son of a Preacher Man”—a landmark moment for blue-eyed soul. The Anthem of the Sun is the 2nd album of Grateful Dead, and it was released in 1968. Turns out there’s something lasting in that mix. Heard on its own merits, Presenting the Fabulous Ronettes Featuring Veronica is a wonder of transmogrified, dreamy R&B. While it could be said that The Rolling Stones were the purest rockers, The Beach Boys were the more innovative group or that Dylan was the lyrical visionary of his era, no other band had defined their generation like The Beatles. The strongest cover of all, of course, is her legendary take on Otis Redding’s “Respect,” which she truly made her own, turning it into perhaps the female empowerment anthem and wowing us with unparalleled vocals. The legend's sixth album hit shelves in 1973 and was a follow-up to his major breakthrough The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The vocal quartet of Mary and Betty Weiss and Marge and Mary Anne Ganser imbued the lush, saccharine girl-group sound with a creeping darkness. In the 60s, Sgt. While Drake only needed a guitar to have an impact, Five Leaves Left gives him a string arrangement on many tracks, like “Way to Blue” and “Day is Done,” making his songs transcendent. Pink Floyd: Animals (1977) British art design group Hipgnosis enjoyed a run of superlative covers … —Max Blau, By the time The Band released their self-titled follow-up, they were fairly well-established and even had some detractors in the upper echelons of rock criticism. —Holly Gleason, We all know the blues are sad, but sometimes they can be downright sexy, and on his 1962 self-titled effort (often referred to as the Rocking Chair Album because of its artwork) for Chess Records, Howlin’ Wolf growls his way through some of Willie Dixon’s naughtiest compositions, including “Spoonful” and “Back Door Man,” as well as staples like “Wang Dang Doodle” and “Little Red Rooster.” —Bonnie Stiernberg, For her 1969 magnum opus, the English soul queen hopped across the pond, recording in Memphis with producers Jerry Wexler, Tom Dowd and Arif Mardin and singing tracks penned by heavyweights like Randy Newman (“I Don’t Want to Hear It Anymore” and “Just One Smile”) and Carole King (“So Much Love” and “Don’t Forget About Me”). Following up Kind of Blue, Spain was a myriad of soundscapes—building from the almost classical “Concierto de Aranjuez (Adagio)” to the incandescent passion of “Solea,” a woman’s recounting of Christ’s walk to crucifixion. The man’s specter loomed so large over the Civil Rights movement that it took a gunshot to the chest to prove he was mortal. Lou Reed never wanted to share creative control with some moody German model, but Andy Warhol’s almighty lasso led to Nico’s inclusion regardless. It displayed the undeniable ironic personality of the band, but most of all contributed a solid collection into the iconic band’s repertoire. He perfected his blend of psychedelic songwriting and wizard-like electric guitar flourishes on 1967’s Axis: Bold as Love, but on Are You Experienced?, his debut album with The Experience (drummer Mitch Mitchell, bassist Noel Redding), he harnessed the sound of a raw, thrilling power trio at the peak of its power. Not only were musicians free to explore the expanded space in the grooves of a record album, but designers began to explore the possibilities of what they could put on the jacket. —Josh Jackson, As his all-too-brief recording career bloomed and wilted, sonic virtuoso Jimi Hendrix grew into his role as a recording studio visionary, helping change perceptions of what a rock song could sound like. The album at the top is the original Columbia release of Fifth Dimension (CS-9349) from 1966. If “Ain’t No Way” were a person, it would be that person you want to just slow-dance with in your living room at four in the morning and drape your arm around as you both fall asleep. Built on long jams, jarring guitars and a sense of looseness that bordered on sloppy, there were few records as thrilling as the churning build of the 9:27 “Down By The River” or the ebb and flow of the 10:06 “Cowgirl In The Sand.” Crazy Horse was kerosene to Young’s spark, and Danny Whitten (guitar), Ralph Molina (drums) and Billy Talbott (bass) created a churning foundation for the songwriter to work against. While Highway 61 is the route the delta blues took to travel north, Highway 61 is Bob Dylan’s path to the stratosphere. The band’s self-titled effort introduced the spastic, howling Iggy Pop behind a studio-tamed backing band. Garage god Greg Cartwright, of Reigning Sound and The Oblivians, backed Mary Weiss on her 2007 comeback album Dangerous Game. On “All I Could Do Was Cry,” Etta kicks herself for sitting idly by and watching her love walk down the aisle with someone else. The song was more folksy Dylan than soul, and it was a glimpse of a more thoughtful, less formula-driven side of Redding, reflective of the sea change going on within him due to the political climate of the late ‘60s. But it wasn’t until 1968, when drug abuse had led to career struggles that the singer approached Columbia Records with the idea for a live album from a penitentiary. The photograph on the front cover of the album, depicting the band in the front room of guitarist Paul ‘Bonehead’ Arthurs’ house, was taken by rock photographer Michael Spencer Jones and is said to be inspired by the back cover of 60s Beatles compilation A Collection of Beatles Oldies, on which the Fab Four are sat around a table in a Japanese hotel room. As with our previous decades lists, we polled our staff, interns and writers and whittled it down to our 60 favorite albums. From the sonic experiments featured on opener “...And the Gods Made Love” to the lazy, impressive guitar fills on “Have You Ever Been (To Electric Ladyland)” to the wah-wah soaked intro of closer “Voodoo Child (Slight Return),” Hendrix solidified the handbook for how the instrument should be played. The album’s recording started shortly after chief Beach Boys songwriter Brian Wilson—who battled with depression, anxiety and other mental issues while on tour with the group—left the road in 1965 to focus on studio recording. This album sold more than one million copies worldwide. —Tim Basham, It’s hard to think of any one record that has influenced an entire genre as much as the 13th Floor Elevators’ seminal debut influenced psych rock. Therefore, they are the ones who brainstormed the cover art for the album themselves. Tag: iconic album covers of the 60's. For album covers of the 80s, Radio defines what hip-hop meant and from where it came. —MT Richards, Leader of the Pack never performed as well on the charts as the singles it spawned. This album came during the time that they were challenged with continuing the success of their debut single “Incense and Peppermints”. mbd40, Sep 20, 2020 #42. Even the lead vocals alternate from song to song, not allowing any of the three voices (Richard Manuel, Rick Danko and Levon Helm) to have more claim over “the voice of the band.” Musicians rarely find perfection, but The Band found it in Music from Big Pink. These are some of my favorites (not necessarily favorite musicians, but cover arts) What ever happen to the good ol days when every album came with a poster...I miss the 70's. —Ross Bonaime, Nick Drake was only 21 when he released his debut album Five Leaves Left. The Dum Dum Girls’ Spector-pop revision even nods to the Shangri-Las’ “The Dum Dum Ditty” in its very name. The Piper at the Gates of Dawn – Pink Floyd. The structure of each song (and the entire album) does not emphasize one specific musician beyond their given role. An archetypal “splatter platter,” “Leader of The Pack” was just one of many teenage tragedy sides the Shangri-Las would cut, making them something of icons in macabre sub-genre. But it is still an iconic cover that is psychedelic. —Ryan Bort, Years before Sly Stone’s drug addiction and enigmatic persona fully materialized, he was changing the way people viewed soul and pop music from a musical, cultural and racial standpoint. Robbie Roberston’s guitar shared time alongside Garth Hudson’s organ work, each just as important as the other. However, we’ve barely scratched the surface; to avoid making this just a list of Beatles and Bob Dylan records, we’ve limited it to three albums per artist—which means some incredible works like Rubber Soul, The White Album and Bringing It All Back Home, while highly recommended by us, had to get bumped this time around. Anthem of the Sun – Grateful Dead. Morrison and The Doors would grow beards and foray into more blues-based material in the ‘70s, but The Doors will always be the album they are most remembered for. These iconic album covers that we shared definitely all have the appearance of 60s psychedelia for the “peace and love” crowd. But they asked Andy Warhol to design the album cover. —Beca Grimm, This 1967 concept album challenged the idea of rock ’n’ roll converging with commercial success and profit. Drake wasn’t here for long, but Five Leaves Left shows the beginning of a short career filled with music that is astoundingly gorgeous. David Bowie gave us a range of iconic album covers, and Ziggy Stardust was one of the best. Pretty damn good. Al the info is extracted from the Wikipedia and or our personal sources. Each week we bring you an quiz to test your knowledge of celebrated album artwork. With its cascading percussion and pervasive wind instruments, Supreme felt like a humid summer day: there’s the pleasant morning breeze that awakens you (“Part I: Acknowledgement”) and the swanky afternoon strut down the block (“Part II: Resolution”). It resembles a mandala which incorporates the similarities of the band members’ heads. —Patty Miranda, The Velvet Underground’s third effort is their first to feature Doug Yule. As John Lennon, Paul McCartney, George Harrison and Ringo Starr went from delightful hand-holding mop-tops to psychedelic luminaries, they offered a way for the world to understand the complex and radical changing of the guard. Rock Album Covers Classic Album Covers Music Album Covers Music Albums Book Covers Van Halen Album Covers David Lee Roth eBay Stores Record Vision specializes in vinyl records (used & sealed) in almost every musical genre spanning from the 60s folk movement to the rise of new wave and through to late-80s pop/rock and beyond. But it is considered more as a studio album. This album is an experimental amalgam that is neither a live album or a studio album. Bowie’s folk-rock sound at this time provided a humble platform for his unmistakable vocals, and his commentary about the politics and climate of the era are apparent. was the most expensive album cover that has ever been made. studio album that was released in 1968. Pussy Plays was released on an aqua blue Morgan Blue Town label in a textured ”flipback” … King’s “Rock Me Baby,” two of the most memorable tunes of his career (“Respect” and “Shake”) and a version of “A Change Is Gonna Come” that—and this is probably heresy—may just be better than Cooke’s original. “Gimme Shelter” infamously opens their album, warning about the violence and crime lurking just around the bend. Album covers for albums by The Doors, found by OneMusicAPI. —Ryan Reed, The Rolling Stones released Let It Bleed on Dec. 5, 1969. —Bonnie Stiernberg, The Zombies may be one of the most revered groups to master pop melody. Or something. Today, we are going to show you some of the iconic 60s album covers. Recorded and released during America’s infamous spring and summer of 1968 (the murders of Martin Luther King Jr. and Robert Kennedy, Chicago’s violent Democratic Convention, Vietnam’s Tet Offensive), Joplin’s rasp explosively melded with the band’s psychedelic vibrations and often overlooked guitar prowess. This album was named based on chapter 7 of the book The Wind in the Willows by Kenneth Grahame. Then, somewhere in the middle, it sobered up. See more ideas about album covers, album, album cover art. 24 February 2020, 18:51. The design is on t-shirts. “Ain’t No Way,” her plea for intimacy from the man she loves, backed by piano and a smoldering sax riff, is stunning—at times gentle, at times frustrated, into the unforgettable outro. ", followed by 368 people on Pinterest. In the digital era, album covers may be considered a thing of the past. Please consider supporting us by disabling your ad blocker. Then there’s the tumultuous storm which cools the horizon (“Part IV: Psalm”). The tension and new energy affected the sound for the better, making everything a little darker, druggier and weirder. Formed in the mid-1960s in Hertfordshire, UK, by drummer Steve Townsend, singer Dek Boyce and bassist Jez Turner. "Seventies' Greatest Album Covers" was excerpted from the Nov. 14, 1991, edition of Rolling Stone magazine.. Not only do all of these albums have great covers, many are also important achievements in rock 'n roll music. More importantly, Morrison poured his entire heart—the good, the bad and the ugly—into these songs the way few would do before or after Astral Weeks. The Beatles began as a cover band; pretty much everyone from Stevie Wonder to Peter, Paul and Mary brought their own takes on “Blowin’ In The Wind.” Otis Redding’s career was just emerging when, one weekend in July 1965, he recorded the better part of a mostly covers album called Otis Blue and made a slew of established blues and soul tunes by greats like Sam Cooke, The Temptations, The Rolling Stones and B.B. The album cover was painted by fantasy artist, Ken Kelly, who also painted Rainbow’s iconic Rising album cover. But today it’s considered a classic, and its entrancing cover art, designed by Peter Saville, adorns millions of T-shirts and posters worldwide. Apr 12, 2014 - 1960's album covers, record sleeves, book jackets. ”—Tyler Kane, Brian Wilson slacked his reigns on Beach Boys’ Wild Honey’s recording process, thus lending to the more natural, flowing feel of the pop record. On its release, it was received indifferently but has since become one of the most celebrated albums of the 60s. Voodoo Chile was a #1 hit in the UK while the cover of Bob Dylan‘s All Along The Watchtowermade it to #5. JLT. And based on the songs in this album, Simon is a boy who dreams of having wings. —Patty Miranda, Her subsequent LP was titled Aretha Arrives, but it was actually this release that ushered the Queen of Soul into the mainstream. —Holly Gleason, While many of their contemporaries were foraying into psychedelia, the Stones went in the opposite direction with 1968’s Beggars Banquet, delving deeper into their roots to write one of their bluesiest records to date. Rolling Stones: Sticky Fingers (1971) In a letter to Sticky Fingers' sleeve designer Andy Warhol, Mick … This time it's back to the 60s – how many of these sleeves can you identify? Some of the tracks are the absolute essence of heartbreak; the vocals on “A Sunday Kind of Love” are so silky smooth that it’s easy to get caught up slow-dancing to it and overlook the fact that it’s actually a sad track. Idea is Bee Gees’ 4th album, and it was released in 1968. —Josh Jackson, Capturing the spirit of San Francisco’s musical and cultural shifts, Robert Crumb’s iconic cover contributed almost as much to the album’s success as singer Janis Joplin’s iconic voice. While it’s likely that the proximity of the two dates was coincidental, the end of the hippie era came right after The Rolling Stones released an album that spoke to the tumultuous times surrounding the present day. Hipgnosis Studio 10cc, Deceptive Bends (1977) The last album on this list is not pen or brush to paper, but it might as well be. —Nicole Oran, On the heels of his stunning Are You Experienced?, the psychedelic guitarist of mind-bending talent returned with an album more grounded in his own writing. The Who is one of the most enduring hard rock acts in the world. This album also has an iconic cover. Pepper's Lonely Hearts Club Band is, without a doubt, one of the most iconic images in the history of rock & … It is designed by Andy Warhol. —Adam Vitcavage, Polarizing is just one word out of many (some much more colorful) that jazz enthusiasts would use to describe Miles Davis’ 1969 foray into electric jazz, In A Silent Way. This album features 58 different people, which were chosen by Paul McCartney, Peter Blake, John Lennon, George Harrison, Jann Haworth, and as well as Robert Fraser, who’s a London art dealer. Though a far cry from his seminal Kind of Blue, it’s still just as transportive: two different means to the same end. It is also what made it an iconic album cover in the 60s. Robert Plant, John Paul Jones, John Bonham and Page laid down the groundwork for a storied decade to come, with legendary originals (“Good Times Bad Times,” “Dazed and Confused”) and heavy covers (“You Shook Me,” “I Can’t Quit You Baby”). I’m not even mad a whole generation of music listeners probably only know the song because Amber Riley sang it on Glee. Since its release in 1966, countless bands have tried to imitate the album’s sound, and every psych-oriented group from The Jesus and Mary Chain to The Black Angels are in some way indebted to The Elevators and their visionary frontman Roky Erickson. From the opening blasts of “Cinnamon Girl,” it was obvious Young wanted to blaze; even on the more expected “The Losing End (When You’re On),” there was a brio that spoke to this newfound raucousness. Of course, nothing exists in a vacuum, and many of the groundbreaking artists who rose to prominence in the decade borrowed heavily from the artists who came before them, but looking back, there’s no denying the 1960s were some sort of scary, beautiful explosion of sound. It was released in the United Kingdom in 1967, and in the United States in 1968. Culture . The changing style of album cover design illustrated in "Classic Album Covers of the 60s" provides a fascinating reflection of changing cultural trends during a decade whose ideas and artistic expressions sought to break the prevailing rules and, so doing, laid the foundations for cover design today. Who’s Next by The Who. This album is stuffed with the then-pioneering keyboard, aiding the overall blissed-out vibe. With this, George Kinney remained a loner figure in the music worlds in the following decades until the Golden Dawn reemerged in 2001 when this album, Power Plant, became an iconic psychedelic legend on the international stage. The album cover looks classic and gorgeous, but there’s a noticeable mistake on the spelling of Odyssey, which is spelled as “Odessey”. Tweet. Over the past four decades, pop has alternately embraced the melodrama and immediacy of adolescent emotions and reacted against it, trying to validate rock ’n’ roll as serious art. His 1955 hit “Folsom Prison Blues” resulted in invitations from inmates around the country to come play their prisons, something he did fairly regularly early in his career. 24 February 2020, 18:51. Turn!” and Dylan’s “Mr. Keith Richards wrote some of his finest riffs on Let It Bleed, filling out their songs alongside Mick Jagger’s darker lyrics on war, drugs and loneliness. As the background vocals almost tease her with echoes of “cry, cry, cry,” she absolutely wails, heartbroken and perhaps a little angry at herself over what might have been. At the back, it features a fisheye group shot of the band which was taken by Thomas Weir. But it is considered more as a studio album. Later albums would include responses to police brutality during peaceful protests, but their involvement with activism stems from “Long Time Gone”—a response to the assassination of Robert F. Kennedy. Unconvinced of his singing ability and with only a modest ambition to eke out a living as a songwriter in Nashville, it’s safe to assume that few people who first heard Cohen’s deep baritone voice intone his way through ‘Suzanne,” “Stranger Song” or “Sisters of Mercy” when Songs of Leonard Cohen first came out in 1967 could have predicted the Montreal singer’s artistic longevity. If music as we know it today is our universe, the 1960s are the Big Bang. In one particularly notable instance, the Dean of rock critics, Robert Christgau, expected to hate The Band based on his dislike of Music From Big Pink, but went on to suggest it was better than Abbey Road. The cover art of this album features an old man beside a colorful scenery. —Max Blau, The fact that Astral Weeks was only Van Morrison’s second solo album, one arriving on the heels of his breakout and best-known single “Brown-Eyed Girl,” made this record unpredictably brilliant. Timed to the release of WHO, Townshend walked through some of the Who’s most iconic album covers, their various influences, and which ones he absolutely loathes. The Story of Simon Simopath - Nirvana. See more ideas about album covers, cover art, album. It was Lee, as an African-American musician, defying racially-constructed expectations of what he was supposed to contribute to rock, who widened the psychedelic and folk-rock tents to include more people, more influences, more of everything good. Aug 27, 2013 - Aaaah, the vinyl days of the 60's 70's and 80's...had some of the best art around. —Adam Vitcavage, After finding it impossible to make a living north of the border, a young Leonard Cohen joined a long list of Canadian expatriates that included Joni Mitchell, Neil Young and Gordon Lightfoot who migrated to America during the mid-’60s in pursuit of a career in folk music. Brown ended up fronting the recording costs—which not only went on to earn commercial success, but ultimately become one of the most essential live albums respective to an artist’s catalog. This album includes the singles “I Started a Joke” and “I’ve Got a Message to You”. It’s more of a quiet, unpretentious gem, less slathered in sunscreen than previous releases, more soaked in its namesake. There’s pure ear-candy fluff (“Yellow Submarine”), haunting balladry (McCartney’s masterful “Eleanor Rigby”), and trailblazing experimentation (Lennon’s droning, LSD binge “Tomorrow Never Knows”), and somehow it all hangs together perfectly—sort of like the greatest album ever made. Just a year after The Beatles pushed boundaries with Sgt. This album has two cover art versions. There is very little complexity or lofty metaphor use at play here, but it’s a winning album because despite the simplicity (sometimes overly so), the earnestness is impossible to ignore. It’s the logical next step after Bringing It All Back Home, expanding upon the electric sounds he played with on that record. But even though they do not like it, it is still one of the most iconic album covers in the 60s. —Bonnie Stiernberg, Led Zeppelin weren’t exactly treading new ground when Jimmy Page formed the group in 1968, bringing them together to release their self-titled debut a year later. He played two 24-song sets at Folsom with Carl Perkins, the Tennessee Three and his future wife June Carter, whittling the album down to 16 tracks. —Bonnie Stiernberg, In a decade defined by sweeping cultural paradigm shifts, The Beatles’ music helped the world’s youths make sense of the changing times around them. The social and political climate of the late 1960s had huge influences on many artists of the time, and Davis’ takeaway was incorporating some more rock ‘n’ roll sounds while still staying true to his jazz roots, a line he expertly toes on In A Silent Way. Holed up in the studio with producer/longtime buddy Frank Zappa and his gang of musical freaks, Beefheart and company recorded a batshit-crazy 28-track behemoth—one which sprawls from free-jazz noise to bluesy wailing to hypnotic avant-garde doodling, with Beefheart obtrusively moaning his acid-hippie poetry (occasionally in time) over the whole sprawling mess. 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